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    Eskişehir Academy of Economic and Commercial Sciences, founded in 1958, formed the basis of Anadolu University. The Academy was replaced by Anadolu University in 1982, which has gained a well-deserved place as a modern, dynamic and innovative institution among the largest universities not only in Türkiye, but also in the world.
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DEPARTMENT OF CINEMA AND TELEVISION

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  • Matrix of Course& Program Qualifications
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Matrix of Course& Program Qualifications

0 : Doesn’t support   1 : Low-level support   2 : Mid-level support   3 : High-level support
Program Qualifications (Outcomes) 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26
Animation 2 2 3 3 3 1 2 3 3 3 2 2 2 2 2 2 3 2 2 2 2
Research Methods in Social Sciences 1 2 2 2 2 1 1 1 1 1 3 2 3 3 4 4 3 2 3 3 1
Applied Research in Social Sciences 1 2 2 2 2 1 1 1 1 1 3 2 3 3 4 4 3 2 3 3 1
Cultural Diversity and Communication
Aesthetics 1 1 1 1 1 1 1 1 1 1 1 3 2 2 4 2 3 1 1 1 4
Introduction to Philosophy
Basic Photography Applications 3 3 2 2 2 2 3 3 3 2 2 1 1 1 1 2 3 0 0 3 2 1 0 1 1 0
Basic Photography 3 3 1 1 1 1 1 1 2 1 1 1 1 1 1 1 1 1 2 1 2 0 0 1 2 0
Photography Project 3 4 3 1 1 1 1 1 1 1 1 1 2 1 1 1 3 1 3 4 3
Media Graphic 2 2 3 3 3 3 1 1 3 3 2 3 3 2 2 2 2 1 1 2 3 2 2 2 2 2
Economics 0 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 0 3 1 3 0 0 0 0 0
Introduction to Communication 3 3 2 2 2 2 2 2 2 2 3 3 4 4 4 3 4 0 0 4 4
Theories of Communication 3 3 2 2 2 2 2 2 2 3 2 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0
Academic English III
Academic English IV
Academic English V 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Academic English VI
Career Planning
Volunteer Work
History of Culture 1 1 2 2 1 1 1 1 1 2 1 3 3 1 3 1 2 1 1 1 2
Cultural Analysis in Television Programs
Text Writing 0 0 1 2 0 0 0 0 0 0 0 2 1 0 1 0 0 0 0 0 0 1 2 0 1 1
Text Analysis 1 2 3 2 1 1 1 1 1 2 1 3 3 3 2 2 2 1 1 1 3 3 2 2 3 3
Mythology I 1 1 3 2 1 0 0 0 0 0 0 2 0 2 3 2 2 0 0 2 2 1 3 0 2 2
Mythology II
Psychology 1 1 2 2 1 1 1 1 1 1 1 3 3 3 3 1 2 1 1 1 3 1 1 1 3 3
Social Psychology 1 1 1 3 1 1 1 1 1 1 1 3 3 3 3 1 2 1 3 1 3 1 1 1 3 3
History of Painting I
History of Painting II
History of Art 0 0 0 0 0 0 0 0 0 0 0 3 0 3 2 0 3 0 0 0 3 0 1 0 0 0
Basic Video Production 3 3 3 3 3 2 3 3 3 3 3 2 3 3 2 3 3 3 3 2 3 0 0 0 0 0
Introduction to Film and Television 3 3 3 3 3 3 3 2 2 2 2 3 3 3 3 3 2 2 3 2 3 0 0 0 0 0
Basic Techniques of Film 2 3 1 0 1 1 2 1 3 1 3 1 1 2 1 1 2 1 2 1 1 2 1 3 2 1
Basic Techniques of Television 1 2 1 1 2 0 2 1 1 2 2 1 2 1 1 2 2 1 1 2 1 2 1 2 2 3
Film Production Theory
Photographic View 0 2 2 0 0 0 0 0 0 0 0 0 2 0 1 2 2 0 0 0 0 0 0 2 2 2
Visual Composition 2 3 3 3 3 2 3 3 3 3 3 2 1 2 1 2 3 1 1 2 3 3 1 2 1 1
Visual Composition 2 3 3 3 3 2 3 3 3 3 3 2 1 2 1 2 3 1 1 2 3 3 1 2 1 1
TV Production Design 1 2 3 3 3 2 3 3 1 3 2 3 3 3 2 3 3 2 1 1 3 0 0 0 0 0
Videography 1 3 2 2 2 2 2 2 3 3 3 1 2 3 1 3 3 3 3 3 3 2 2 2 1 1
Sound Recording in Cinema and TV 3 3 2 3 3 1 2 2 2 2 2 1 1 2 1 3 2 2 1 1 3 3 3 1 1 0
Sound Techniques for Cinema and TV 2 3 1 0 3 2 3 3 3 2 3 2 1 2 1 2 2 0 1 0 3 1 1 2 0 0
Narrative and Cinema 2 2 1 2 1 0 0 0 0 0 0 3 2 0 0 0 0 0 0 0 0 0 2 0 3 3
Video Techniques for Cinema and TV 3 2 1 0 0 1 1 2 2 0 0 0 0 0 0 2 0 0 0 0 0 2 0 2 2 0
Camera and Lighting Techniques for Cinema and TV 3 3 3 0 3 2 2 2 3 2 2 1 1 1 1 2 1 1 0 1 0 0 0 0 0 0
History of World Cinema I 3 3 1 1 1 1 1 1 1 1 1 3 1 3 3 1 1 1 1 1 3 0 0 0 0 0
History of World Cinema II 3 3 1 1 1 1 1 1 1 1 1 3 1 3 3 1 1 1 1 1 3 0 0 0 0 0
Screenwriting I 2 2 3 3 3 0 2 0 0 0 0 3 2 1 1 0 0 0 0 1 0 3 3 1 1 1
Screenwriting II 2 2 3 3 3 0 1 0 0 0 0 2 0 0 1 0 0 0 0 0 0 3 3 0 1 1
Theories and Principles of Editing
Screenwriting Practice I 1 2 3 3 1 0 1 0 0 2 0 2 0 1 0 1 0 0 0 0 0 1 3 0 0 0
Visual Aesthetics 4 4 2 2 2 1 3 2 1 2 4 4 4 4 2 4 2 1 2 3 3
Film Theory I 4 4 4 4 3 2 2 3 3 4 3 4 4 4 4 4 4 4 4 2 4
Film Criticism and Analyses I 4 4 4 4 3 2 2 3 3 3 3 4 4 4 4 4 4 4 4 3 4
Television Production 4 4 4 4 4 4 4 4 4 4 3 2 2 2 2 4 4 3 3 4 4
Television Production 4 4 4 4 4 4 4 4 4 4 3 2 2 2 2 4 4 3 3 4 4
Introduction to Film 4 4 3 2 3 2 2 3 3 2 3 4 4 4 4 3 3 2 4 2 4
Style in Cinema 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 3 3 3
Documentary Cinema 3 3 3 2 3 1 3 3 3 3 3 3 3 3 3 3 3 3 1 1 2 3 0 2 1 2
Seminar I
Seminar II 1 3 4 1 1 1 1 1 1 4 4 1 2 4 1 4 4 4 4 4 4
Film Project
Contemporary World Cinema 3 2 1 0 0 0 0 0 0 1 2 3 3 2 3 2 1 0 0 0 1 0 0 1 3 3
Interactive Media and Society 2 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 0 0 0 0 0 2 0 3
Semiotics and Cinema 3 3 0 0 0 0 0 0 0 0 0 3 3 3 3 3 0 0 3 0 0 0 0 0 3 3
Visual Structure of Film 3 3 3 3 3 0 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 3 3 0 0 0
Horror Cinema 3 3 0 1 0 0 0 0 0 0 0 3 3 3 3 1 1 0 0 0 0 0 0 0 3 3
Applications in Editing 3 3 2 1 2 2 1 3 3 3 3 1 1 1 1 2 1 1 2 3 3 0 0 0 0 0
Directing Mise-en-scene 3 3 3 3 3 0 3 2 0 3 1 3 3 2 1 1 1 0 0 0 0 3 3 0 3 3
History of Turkish Film 4 2 2 2 2 2 2 2 2 2 2 4 4 4 3 3 2 2 1 1 3
Video Camera Lighting 2 2 3 2 3 1 3 3 3 3 1 1 0 0 0 1 1 0 0 0 0 0 0 0 0 0
Film Camera and Lighting 2 3 3 0 1 0 1 3 0 0 0 0 0 0 0 1 0 0 0 0 0 2 0 0 0 0
Types of Television Programs 3 3 3 1 3 3 2 1 3 1 3 3 3 3 3 2 1 1 1 1 1 2 1 2 3 3
Film Genres 2 2 0 0 0 0 0 0 0 0 0 3 2 1 3 0 0 0 0 0 0 0 0 0 2 3
Televısıon Project
Film Criticism and Analysis II 3 3 2 3 0 0 0 0 0 0 0 3 3 3 3 3 0 0 0 0 3 0 3 0 3 3
History of Film II
New Communication Technologies 3 4 3 3 4 4 3 4 4 4 4 2 3 4 2 4 2 2 2 4 4
Film Theories II 3 3 2 0 0 0 0 0 0 0 0 3 3 3 3 3 1 0 0 0 3 1 0 0 3 3
Visual Structure of Film 3 3 3 3 3 0 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 3 3 0 0 0
Sociology of Film
Video Art 3 3 2 1 3 1 3 2 3 1 2 1 3 3 3 3 3 1 3 3 3 2 1 3 3 3
Video Art
Inspection Methods in Television Broadcasting 2 3 0 0 0 0 0 0 0 0 3 3 3 3 3 1 0 3 0 0 3 0 0 2 3 3
Aesthetics of Documentary Filmmaking
Educational Television Practices II 3 2 3 3 3 1 3 3 3 3 3 1 3 3 1 3 2 1 1 1 2 3 3 1 2 2
Communicating Sustainable Development Goals 0 1 3 2 3 1 3 3 3 3 3 2 2 3 3 3 3 2 2 1 2 3 3 2 3 3
Production and Directing I 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 4 4
Production and Directing I 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 4 4
Production and Directing II 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 4 4
Production and Directing II 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 4 4
Intercultural Communication 4 2 1 1 1 1 1 1 1 1 1 1 4 4 4 4 4 1 4 3 4
Seminar III 3 2 1 0 0 0 0 0 0 0 0 3 1 3 3 3 0 0 3 0 2 0 0 0 2 2
Film Adaptation 2 1 3 3 3 2 0 0 0 2 3 3 3 3 3 3 3 2 0 2 3 3 3 3 3 3
Contemporary Literature and Cinema 2 2 3 2 1 1 1 1 1 1 1 3 2 2 4 1 3 1 1 1 3
Contemporary Turkish Cinema 4 2 2 2 2 2 2 2 2 2 3 4 4 4 4 3 3 2 1 1 3
Identity in the Digital Age 1 2 0 0 0 0 0 0 0 0 3 3 3 1 2 3 1 1 1 0 2 0 0 3 3 3
Science Fiction and Cinema 2 2 0 0 0 0 0 0 0 0 1 3 3 3 3 2 2 0 0 0 2 0 0 2 3 3
Atatürk's Principles and History of Turkish Revolution I
Atatürk's Principles and History of Turkish Revolution II
Community Services 3 3 3 2 3 2 3 3 3 3 3 1 1 2 1 3 3 3 1 3 3 3 3 3 1 1
Dramaturgy 1 1 0 1 0 0 0 0 3 3 3 3 3 3 3 1 1 0 0 0 1 0 3 2 3 3
Writing
Speaking Skills
Turkish Language I
Turkish Language II
0 : Doesn’t support   1 : Low-level support   2 : Mid-level support   3 : High-level support
  • Profile of the Programme
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  • Matrix of Program Outcomes&Field Qualifications
  • Matrix of Course& Program Qualifications
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  • Occupational Profiles of Graduates
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