PROGRAM IN STRING INSTRUMENTS

Matrix of Course& Program Qualifications

0 : Doesn’t support 1 : Low-level support 2 : Mid-level support 3 : High-level support

Program Qualifications (Outcomes)	1	2	3	4	5	6	7	8	9	10	11	12	13	14	15	16	17	18
Fundamentals of Information Technology
Fundamentals of Information Technology Exemption Exam
Aesthetics I	3	1	3	2	2	1	3	1	2	3	2	3	1	3	3	2	3	3
Aesthetics II	3	1	3	3	2	1	3	1	2	3	2	3	1	3	3	2	3	3
English I	1	2	2	2	2	3	2	1	1	1	1	1	1	2	2	1	1	1
English II	1	2	1	3	1	3	2	1	1	1	1	1	1	1	2	1	2	1
English II
English III	1	3	3	3	3	4	1	1	1	1	1	1	1	1	1	1	3	1
English IV	2	2	2	2	2	3	2	2	2	2	2	2	2	2	2	2	2	2
English V	1	2	2	3	3	4	2	2	1	1	1	1	1	2	2	1	2	1
English VI	2	2	2	2	2	3	2	2	2	2	2	2	2	2	2	2	2	2
Career Planning
Volunteer Work
Life in Campus
Cultural Activities
Face to Face Cultural Interaction
Orchestra I	4	4	2	4	2	1	1	2	4	2	4	2	4	3	4	3	3	4
Orchestra I
Orchestra II	4	4	2	4	2	1	1	2	4	2	4	2	4	3	4	3	3	4
Orchestra II
Coperformance I	4	4	4	4	4	3	4	4	4	4	4	4	4	4	4	4	4	4
Coperformance I
Coperformance II	4	4	4	4	4	4	4	4	4	4	4	4	4	4	4	4	4	3
Coperformance II
Chamber Music I	4	4	4	4	4	3	4	4	4	4	4	4	4	4	4	4	4	4
Chamber Music II	4	4	4	4	4	3	4	4	4	4	4	4	4	4	4	4	4	4
Introduction to Theory I
Introduction to Theory II
Strings Repertory I
Strings Repertory II
Acoustic Composition for Non-Majors I	3	3	2	3	2	0	1	2	2	2	2	2	2	1	3	2	3	3
Acoustic Composition for Non-Majors II	3	3	2	3	2	0	1	2	2	2	2	2	2	1	3	2	3	3
Electronic Composition for Non-Major I	3	3	2	3	2	0	1	2	2	2	2	2	2	1	3	2	3	3
Electronic Composition for Non-Major II	3	3	2	3	2	0	1	2	2	2	2	2	2	1	3	2	3	3
Elective Choir I	2	3	2	3	2	1	3	3	3	3	2	3	3	2	3	2	2	2
Elective Choir II	2	3	2	3	2	1	3	3	3	3	2	3	3	2	3	2	2	2
History of Music I	3	0	0	0	0	0	3	3	0	0	0	0	0	0	3	0	0	0
History of Music II	0	3	0	0	0	0	0	0	0	3	0	3	0	0	0	0	0	0
Sonata Form I	3	1	3	1	0	0	2	2	3	1	0	3	3	2	2	1	2	2
Sonata Form II	3	1	3	1	0	0	2	2	3	1	0	3	3	2	2	1	2	2
Orchestra Repertory I	3	3	3	3	3	0	3	3	3	3	3	3	3	3	3	3	3	3
Orchestra Repertory II	3	3	3	3	3	0	3	3	3	3	3	3	3	3	3	3	3	3
Fundamental Concepts of Art I	2	2	3	1	2	0	0	0	0	2	0	1	2	2	2	2	3	2
Fundamental Concepts of Art II	3	2	3	3	2	0	1	0	1	2	1	2	1	1	2	3	3	3
Orchestra III	4	4	2	4	2	1	1	2	4	2	4	2	4	3	4	3	3	4
Orchestra III
Orchestra IV	4	4	2	4	2	1	1	2	4	2	4	2	4	3	4	3	3	4
Orchestra IV
Coperformance III	4	4	4	4	4	3	4	4	4	4	4	4	4	4	4	4	4	4
Coperformance III
Coperformance IV	4	4	4	4	4	4	4	4	4	4	4	4	4	4	4	4	4	3
Coperformance IV
Chamber Music III	4	4	4	4	4	3	4	4	4	4	4	4	4	4	4	4	4	4
Chamber Music IV	4	4	4	4	4	2	0	4	4	4	4	4	4	4	4	4	4	4
Techniques in Harmony I
Techniques in Harmony II
Chamber Music Repertory I
Chamber Music Repertory II
Genre and Form in 19th Century Music	3	1	3	1	0	0	2	2	3	2	0	2	3	3	2	1	2	3
Genre and Form in Vocal Music	3	1	3	1	0	0	2	2	3	2	0	2	3	3	2	1	2	3
Elective Viola I	3	3	3	3	3	0	3	3	3	3	3	3	3	3	3	3	3	3
Elective Viola II	3	3	3	3	3	0	3	3	3	3	3	3	3	3	3	3	3	3
History of Music III	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0
History of Music IV	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0
Orchestra Repertory III	3	3	3	3	3	0	3	3	3	3	3	3	3	3	3	3	3	3
Orchestra Repertory IV	3	3	3	3	3	0	3	3	3	3	3	3	3	3	3	3	3	3
Orchestra V	4	4	2	4	2	1	1	2	4	2	4	2	4	3	4	3	3	4
Orchestra V
Orchestra VI	4	4	2	4	2	1	1	2	4	2	4	2	4	3	4	3	3	4
Orchestra VI
Coperformance V	4	4	4	4	4	3	4	4	4	4	4	4	4	4	4	4	4	4
Coperformance V
Coperformance VI	4	4	4	4	4	4	4	4	4	4	4	4	4	4	4	4	4	3
Chamber Music V	4	4	4	4	4	1	4	4	4	4	1	4	4	4	4	4	4	4
Chamber Music VI	4	4	4	4	4	1	4	4	4	4	1	4	4	4	4	4	4	4
Music In The Baroque Era
History of Music V	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0
History of Music VII	3	2	0	3	0	3	3	3	3	2	2	3	0	2	0	0	0	2
Orchestra Repertory V	3	3	3	3	3	0	3	3	3	3	3	3	3	3	3	3	3	3
Orchestra Repertory VI	3	3	3	3	3	0	3	3	3	3	3	3	3	3	3	3	3	3
Polyphonic Genres I	3	3	3	3	2	1	1	3	3	3	0	1	0	3	3	3	3	3
Polyphonic Genres II	3	1	3	1	0	0	1	2	2	2	0	3	3	2	2	0	3	2
Orchestra VII	4	4	2	4	2	1	1	2	4	2	4	2	4	3	4	3	3	4
Orchestra VII
Orchestra VIII	4	4	2	4	2	1	1	2	4	2	4	2	4	3	4	3	3	4
Orchestra VIII
Coperformance VII	4	4	4	4	4	4	4	4	4	4	4	4	4	4	4	4	4	3
Coperformance VII
Coperformance VIII	4	4	4	4	4	4	4	4	4	4	4	4	4	4	4	4	4	3
Coperformance VIII
Chamber Music VII	4	4	4	4	4	1	4	4	4	4	1	4	4	4	4	4	4	4
Chamber Music VIII	4	4	4	4	4	1	4	4	4	4	1	4	4	4	4	4	4	4
Repertory Analysis I	3	1	1	0	1	0	1	2	1	3	2	0	0	2	2	1	1	2
Repertory Analysis II	3	1	1	0	1	0	1	2	1	3	2	0	0	2	2	1	1	2
Contemporary Performance Techniques I	3	3	1	2	0	2	3	2	3	0	0	3	2	1	1	3	0	2
Contemporary Performance Techniques II	3	3	1	2	0	2	3	2	3	0	0	3	2	1	1	3	0	2
Music History VII	3	3	2	2	0	0	3	2	2	3	0	0	2	0	0	0	0	0
Music History VIII	3	3	3	3	2	3	3	3	0	2	3	2	3	1	0	0	0	0
Orchestra Repertory VII	3	3	3	3	3	0	3	3	3	3	3	3	3	3	3	3	3	3
Orchestra Repertory VIII	3	3	3	3	3	0	3	3	3	3	3	3	3	3	3	3	3	3
Psychology of Development and Learning	1	2	1	3	1	1	1	1	1	1	1	1	1	3	1	1	1	1
Atatürk\'s Principles and History of Turkish Revolution I
Atatürk\'s Principles and History of Turkish Revolution II
Community Services
Turkish Sign Language
Turkish Language I	2	2	2	3	2	1	1	2	1	2	2	1	2	2	2	1	2	2
Turkish Language II	2	2	2	3	2	1	1	2	1	2	2	1	2	2	2	1	2	2
Instrument I	4	4	3	4	4	1	3	3	4	3	3	4	4	4	4	4	4	4
Instrument I
Instrument II	4	4	3	4	4	1	3	3	4	3	3	4	4	4	4	4	4	4
Instrument II
Instrument III	4	3	4	4	1	2	4	4	4	3	3	3	4	4	4	4	4	4
Instrument III
Instrument IV	4	3	4	4	1	2	4	4	4	3	3	3	4	4	4	4	4	4
Instrument IV
Instrument V	4	4	3	4	4	1	3	3	4	3	3	4	4	4	4	4	4	4
Instrument V
Instrument VI	4	4	3	4	4	1	3	3	4	3	3	4	4	4	4	4	4	4
Instrument VI
Instrument VII	4	3	4	4	1	2	4	4	4	3	3	3	4	4	4	4	4	4
Instrument VII
Instrument VIII	4	3	4	4	1	2	4	4	4	3	3	3	4	4	4	4	4	4
Instrument VIII

0 : Doesn’t support 1 : Low-level support 2 : Mid-level support 3 : High-level support