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MUSIC SKILLS IN INSTRUMENT MAKING IV

Content

Weeks	Topics
1. Weeks	Theory: "A black box" model of musical instruments Solmization: The fifteenth chapter of the Jean MArc Allarme Book vol. III
2. Weeks	Teori: Stringed instruments Solmization: The sixteenth chapter of the Jean Marc Allarme Book Vol. III
3. Weeks	Theory: Wind instruments Solmization: The seventeenth chapter of the Jean MArc Allarme Book Vol. III
4. Weeks	Theory: Percussion instruments Solmization: The eighteenth chapter of the Jean Marc Allarme Book Vol. III
5. Weeks	Theory: The speaking and singing voice Solmization: The nineteenth chapter of the Jean MArc Allarme Book Vol. III
6. Weeks	Theory: What is timbre? Solmization: Twentieth chapter of the Jean MArc Allarme Book Vol. III
7. Weeks	Theory: Acoustics of the timbre Solmization: The twentyfirst chapter of the Jean Marc Allarme Book Vol. III
8. Weeks	Theory: Psychoacoustics of timbre Solmization: The twentysecond chapter of the Jean Marc Allarme Book Vol. III
9. Weeks	Theory: The pipe organ as a timbral synthesizer Solmization: The twentythird chapter of the Jean MArc Allarme Book Vol. III
10. Weeks	Theory: Deceiving the ear Solmization: The twentyfourth chapter of the Jean MArc Allarme Book Vol. III
11. Weeks	Theory: Energy-Time consideration Solmization: The twentyfifth chapter of the Jean MArc Allarme Book Vol. III
12. Weeks	Theory: Filtering; Equalisation and tone controls and other effects Solmization: The twentysixth chapter of the Jean Marc Allarme Book Vol. III
13. Weeks	Theory: Pitch processing and time modification Solmization: The twentyseventh chapter of the Jean Marc Allarme Book Vol III
14. Weeks	END OF COURSE